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公有藝文館所公私協力之研究-以剝皮寮歷史街區為例

為了解決駁二倉庫平面圖的問題，作者陳建豪 這樣論述：

本研究之目的在探討公私協力運用在公有藝文館所剝皮寮所造成的影響，採用文獻分析法以及深度訪談法進行經驗性資料的蒐集及彙整。透過探究公私協力對於組織運作的影響，結合剝皮寮整體發展脈絡，探討剝皮寮歷史街區運用公私協力的的發展模式。本研究採學者Ansell&Gash的公私協力治理模型為基礎，透過學者分析歸納出的五項要素，作為本研究的分析架構，本研究欲了解公私部門在閒置空間活化採取公私協力的互動關係及透過每一要素及架構相互影響所形成的協力關係。研究中發現，要成功推行公私協力夥伴關係，公部門需要不間斷的投入以及承擔監督者的角色，建立健全法律規範及制度建立，讓私部門以及其他參與者了解合作規定及內容，承擔風

險及責任，讓雙方保有良善以及有效率的合作關係，研究發現要能夠良善有效率的運作，公私部門間需要有充分的協商機制及建立良好溝通，彼此之間也有高度的信任感。最後也可以透過公私部門人員交流，使有充足人員更全面的來推動藝文館所之活化，本研究並探討公私協力模式運用在公有藝文館所的實質效益，並對於公私部門未來在藝文館所採取協力合作模式提出建議，如何讓公私部門合作能發揮出最大效益。

高雄港岸空間意象介入空間創作之研究—駁二藝術特區倉庫空間再造

為了解決駁二倉庫平面圖的問題，作者李儷倩 這樣論述：

There is a river winds through the Kaohsiung city. From east to west, originating from Yancheng District, Kaohsiung to Kaohsiung Harbor, Kaohsiung River is also known as Ren-ai River or Wu-yu ditch, and it has a close relationship to Kaohsiung city’s development. In is research project, we mainly a

im at exploring the spirit of place of Kaohsiung Harbor Pier-2 Art Center on the scales of time and space. We collected, classified, and summarized fragmentary elements left in the surrounding industries of Kaohsiung Harbor or the development of local culture by the spatial pattern of synchronicity

and diachronicity from the past, the present, and the future, and have reorganized and re-created a new life for the warehouse space on the shore of the port. C5 TSC Warehouse has been selected as the base of re-creating object. The location of this base design is located in exit of the Kaohsiung A

ihe River in Pier-2 Art Center Warehouses. It mainly proposes to explore the diachronic historical changes of Kaohsiung Harbor and synchronic image of Kaohsiung Harbor City view, and find out the future design factors. According to the current status of Pier-2 Art Center, it considers the essence of

Kaohsiung Harbor Warehouse space creation and proposes reconsideration.Research before the creation is exploring synchronic factors in the literatures of time historical evolution. We re-explored the qualities of landscapes, architectures, and environments, combined with historical and humanistic f

actors, and propose the concept of the creation. By using interventional method, we find back the interaction between people and the water region, simultaneously draw the harbor spatial relationship closer. We hope to create a lively and interesting experience space for local residents, community in

formation and artistic exchanges. At the same time, make use of the development of local culture and innovative industries to propose a creative space shared by community residents and visitors. Live up and display the unique coastal space image of Kaohsiung Harbor.