來一趟說走就走的旅行論文書籍站
國立東華大學 臺灣文化學系 林潤華所指導 Anthony Basile的 Making an idol: Digital media, image building and fan-idol relations （2018），提出齋藤飛鳥 卒業コンサート關鍵因素是什麼，來自於。
齋藤飛鳥 卒業コンサート進入發燒排行的影片
西野七瀬 卒業コンサートフォトブック発売記念ブロマイド
http://www.conprin.com/nishinonanase2019/
あなたの番です。楽しいね、今期のドラマはいいのばっかりだったなぁ。次は、日曜の大泉さんのドラマに期待していますよ。さて、乃木坂ちゃんの動画でございます。最近、ラジオだけではなく、動画でも乃木坂46の話題が多いですな。今回は、あなたの番です。でも中心人物である西野七瀬ちゃん！卒業しちゃいましたけど、卒業公演の諸々がセブンイレブンでやってるっちゅーことで、生写真を購入いたしました。可愛いのよ、センスもいいのよ。なーちゃんのInstagramもフォローしてるのですが、なんかね謎なのよ、ミステリアスなのよ、そこがまた可愛いのよ。まぁ、齋藤飛鳥推しだけどね、西野七瀬タイプってことだと思います。よーは、可愛い子は何でも好きってことです。笑笑（たぁさんの小声）
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Making an idol: Digital media, image building and fan-idol relations
為了解決齋藤飛鳥 卒業コンサート 的問題，作者Anthony Basile 這樣論述：
This thesis examines the ways in which Japanese idols are using digital technology for promotion, image building and fan interaction, as groups and as individuals. Digital technology continues to develop and become an integral part of people's lives every year and adapting to these changes is a cha
llenge that consumers and companies alike face; the entertainment industry being no exception. Idols, because they have a large diversified media presence beyond just music production and a large, active fan base, provide a unique opportunity to view many of the diverse ways entertainers can and are
using digital technology and media to further their brands and facilitate fan interaction in the Japanese market.This thesis specifically explores the usage of media in the categories of video, social media, and mobile applications and games. Discussion covers television variety show and drama styl
es unique to idols, online streaming videos, social media platforms, from traditional blogs to the modern Twitter and Instagram, and video games and applications that are played on smartphones and portable video gaming systems. I also explore the ways each of these are used to build image and facili
tate fan interaction (where applicable) and how successful each media has been at this and in general. The research shows that idols have been generally successful in their endeavors across a multitude of media. By finding audiences across such a wide variety of media platforms they have raised name
recognition, of both groups and individual members, while creating an image of accessibility and strengthening parasocial relationships with fans. Social media has also allowed for more frequent fan interaction via various platforms. While some specific media have failed, in general there are stron
g viewer/user bases for these digital media, as evidenced by ratings, follower counts, downloads, sales, etc.