Domestic box office的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列地圖、推薦、景點和餐廳等資訊懶人包

Princess Mononoke: Understanding Studio Ghibli’s Monster Princess

為了解決Domestic box office的問題，作者Denison, Rayna (EDT) 這樣論述：

Princess Mononoke (1997) is one of anime’s most important films. Hayao Miyazaki’s epic fantasy broke domestic box office records when it came out in Japan, keeping pace with the success of Hollywood films like Titanic (1997). Princess Mononoke was also the first of Studio Ghibli’s films to be dis

tributed outside Japan as part of a new deal with Disney subsidiary Buena Vista International. Coinciding with the 20th anniversary of the release of the film, Rayna Denison curates this new collection to critically reflect on Princess Mononoke’s significance within and beyond Japanese culture. The

collection investigates the production, and re-production, processes involved in the making of Princess Mononoke into a global phenomenon and reevaluates the film’s significance within a range of global markets, animation techniques, and cultures.In revisiting this undeniably important film, the col

lection sheds light on the tensions within anime and the cultural and social issues that Princess Mononoke explores, from environmental protection to globalization to the representation of marginalized groups. In this remarkable new collection, Princess Mononoke is examined as a key player during a

major turning point in Japanese animation history.

Domestic box office進入發燒排行的影片

中國電影產業票房績效之驗證性因素分析

為了解決Domestic box office的問題，作者陳俊榮 這樣論述：

電影是文化創意產業的標竿，在電影的研究文獻中，影響票房收入的因素尚未獲得共識且相關假設仍然尚待驗證。中國挾其龐大人口紅利，電影產業的消費市場早已引起各國覬覦，尤以中美在2012年簽訂入世後的電影市場開放，當年度中國已超過日本成為世界第二大電影市場。近年來針對海峽兩岸電影交流的學術研究雖不斷增加，惟大多關注電影本體，重視分析作品或導演的風格、作品的藝術特色、美學價值等等，甚或關注其作為一個產業的轉變和發展趨勢，對於具有特色社會主義色彩的電影市場票房收入相關的實證研究，少如鳳毛麟角，至於分析影響票房收入之研究，亦付之闕如。本文針對2016~2020年中國電影票房收入每年前50大影片的製作公司與發

行行銷公司，進行原始資料之蒐集，以因素分析法探討影響票房收入的構面，並進一步以迴歸分析各因素與變數對票房收入的影響程度。實證結果顯示，賣座資訊與製片商專業性等兩項因素對票房收入的影響扮演關鍵性的正向角色，賣座資訊的貝它(β)係數高達0.901，亦即首周票房、影評-評比觀眾人數與上映檔期等，對票房收入具有重要影響，這符合行銷理論已逐步在封閉市場開放初期所發揮的功效。至於卡司陣容與影片性質則對票房收入產生顯著的負面影響，惟其標準化的貝它(β)係數僅分別為0.055與0.051，顯示在幅員遼闊的中國電影市場，地方觀眾的需求與中央政策並非完全一致，且電影產業深受政府的規章所控制，致有小部分電影難以跳脫

社會主義的宣導思想。本研究得到之結果，可提供給業者在電影前製時期思考如何提高成功率降低失敗風險，並在未來的電影行銷與發行上提出強化成功因素之建議。

China’s Encounter With Global Hollywood: Cultural Policy and the Film Industry, 1994-2013

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為了解決Domestic box office的問題，作者Su, Wendy 這樣論述：

In recent years, the film industry in the People's Republic of China has found itself among the top three most prolific in the world. When the Chinese government introduced a new revenue-sharing system in 1994, the nation's total movie output skyrocketed with gross box-office receipts totaling billi

ons of yuan. This newfound success, however, has been built on an alternately competitive and collaborative relationship between the ascendant global power of China and the popular culture juggernaut of America.In China's Encounter with Global Hollywood, Wendy Su examines the intertwining relationsh

ips among the Chinese state, global Hollywood, and the Chinese film industry while analyzing the causes and consequences of the rapid growth of the nation's domestic film production. She demonstrates how the Chinese state has consolidated power by negotiating foreign interest in the lucrative Chines

e market while advancing its cultural industries. Su also reveals how mainland Chinese and Hong Kong filmmakers have navigated the often-incompatible requirements of marketization and state censorship.This timely analysis demonstrates how China has cannily used global capital to modernize its own fi

lm industry and now stands poised to step clear of Hollywood's shadow. The country's debates -- on- and offscreen -- over cultural change, market-based economic reforms, and artistic freedom illuminate China's ongoing efforts to build a modern national identity. Wendy Su, assistant professor of me

dia and cultural studies at the University of California, Riverside, is a winner of the Pacific Affairs William J. Holland Prize .

川普時期美國對拉政策－以委內瑞拉為例

為了解決Domestic box office的問題，作者紀俞辰 這樣論述：

　　由於地緣政治和經濟關係，美國的拉丁美洲政策向來是談論到拉美事務時必須關注的議題。同時，由於美國位居西半球的霸權地位，美拉關係的走向可謂繫於美國總統對該區域的政策和態度。然而，川普「美國優先」的政策方針和極具爭議的個人特色，無疑是改變了這個政策，為這段本身就相當複雜難解的關係給予一記重拳。　　本文為瞭解川普的拉丁美洲政策，將利用歷史比較法和文獻分析法，從現實主義的角度，觀察美國拉丁美洲政策的制定邏輯，重現美國與拉美國家關係的發展歷程，進而解釋川普任內的拉丁美洲政策。鑑此，筆者先從影響美國拉丁美洲政策深遠的門羅主義開始介紹，並將美國政府如何運用該主義以獲取國家利益的方式進行分類。再者，藉由國

際關係的層次分析法，剖析川普的拉丁美洲政策制定背景，聚焦其任內所關注的經貿、安全議題。最後，經由案例分析，本文驗證川普政府的拉丁美洲政策與外界認為有很大的翻轉是不同的，實際上是延續大於改變的。此外，本文也發現門羅主義在與安全相關的議題中，確實持續影響著美國華府決策圈的政策思維。　　最後，本文的結論是，由於美國在拉丁美洲追求的國家利益無太大變動，因此川普在該區域的政策與過往相去不遠。主要的差別在於川普個人的傲慢態度，以及其政府對於強調美國自身利益的直白露骨。另外，在川普政府任內，強調域外勢力不可干預的門羅主義，可謂再次浮現在美國的拉美政策檯面上。然而，以上行徑不僅破壞美國的領導地位基石，也讓許多

拉美國家憶起過往美帝蠻橫干預的行徑。是故，未來美國若想挽救與拉美國家的關係，勢必得拋棄門羅主義的思維、展現更大決心，以及落實其承諾，方能重建美國在拉美地區的領導地位。