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Animals and Plants in Chinese Religions and Science

為了解決Land animals的問題，作者Chen, Huaiyu 這樣論述：

In ancient China, the tradition of observing nature is combined with Yin-Yang and the Five-Phase theories, which were later incorporated into the ancient arts of divination, including the technique of predicting weather changes by observing the behavior and health of animals. The observation of t

he close connection between animals and weather developed into the worship of animals, that is, what can be called the cult of animals. Plant science and technology in medieval China cannot be separated from the developments in agriculture, economics, and medicine, as well as cultural practice. The

Chinese empire ruled most of East Asia in the medieval period. Numerous species of plants were observed, cultivated, harvested, and used in the vast land of China that spanned a wide range of biomes from boreal through to temperate and tropical, with most regions classed as subtropical. Besides indi

genous plants, many plants from West, Central, South, and Southeast Asia were introduced into China and East Asia in general. Numerous zoomantic practices appeared in two sets of textual documents in the premodern Chinese bibliographical system, namely official documents and popular documents. Offic

ial documents were often compiled by government officials and served political governance objectives. These documents included official histories, annals, and institutional documents, as well as Confucian classics. The authorship or editorship of these documents was often explicit. Popular documents

included strange writings, tales, legends, and religious documents from Buddhism and Daoism, which were often not compiled under the sponsorship and support of the court or government. They might be compiled by literati but lost original authorship. They did not serve political motivations and obje

ctives, reflecting how people understood and interpreted correlative cosmology by observing animal behaviors at the local or non-bureaucratic level.

Land animals進入發燒排行的影片

臺灣保育鳥類之撲克牌設計創作研究

為了解決Land animals的問題，作者張正昌 這樣論述：

臺灣早期被西方人稱之福爾摩沙，在這座美麗的島嶼上有著包羅萬象的珍貴資源與生物，如令人歎為觀止的自然景觀、獨特的鳥獸魚蟲、叢林花卉等，住在這塊土地上的我們是相當幸福能夠擁有這些自然資源與珍禽異獸為伴。但隨著時代的變化及開發，人們為了追求生活開始大量侵犯自然寶地，如濫伐森林、填土造地、建造工業區及高聳的建築物等，使這些寶貴的資源遭受到污染，如人為垃圾掩埋造成的土地變質、工廠私排廢水造成的水污染、工廠火力發電排放廢氣造成的空氣污染等，許多野生動物因為人類這些偏差的行徑不斷地減少甚至滅絕。本創作研究主題為「臺灣保育鳥類之撲克牌設計創作研究」，研究方法為文本分析法與創作實證法。文本分析法蒐集與研究相關

之文獻資料與本創作所運用之圖像學理論，對其加以探討與分析；創作實證法為結合前述資料探討之結果，後執行於本研究之撲克牌設計創作。本創作完成之撲克牌為基本張數五十四張，與牌背版之視覺圖像設計，總計五十五幅作品。每張撲克牌畫面之構圖將針對於各種不同保育鳥類，運用圖像學理論與手繪插畫進行圖像創意設計繪製，並將使其所遇之威脅因素皆轉化為圖象輔以結合於整體牌面圖中。每張牌之對應野鳥於畫面中皆呈現其獨特之姿；牌面色彩使用高明度、高彩度用色，畫面構圖運用對比性與空間距離配置的方式，使畫面於視覺上更具層次感，凸顯每種鳥類之特色，亦使圖中欲表達之保育觀念意識達到理想之傳遞效果。研究者期盼大眾使用此副撲克牌進行娛樂

時當下亦能於每張牌卡圖中獲得啟發與反思，後續能更加關注留意於保育相關之議題。

The Book of Eve

為了解決Land animals的問題，作者 這樣論述：

A brilliant, feminist twist on the Book of Genesis from Carmen Boullosa. What if everything they’ve told us about the Garden was the other way around? Faced with what appears to be an apocryphal manuscript containing ten books and 91 passages, Eve decides to tell her version: she was neither created

from Adam’s rib, nor is it exact that she was expelled by the apple and the serpent, nor is story they tell of Abel and Cain true, neither that of the Flood, nor that of the Tower of Babel... With brilliant prose, Carmen Boullosa gives a twist to the Book of Genesis to dismantle the male figure and

rebuild the world, the origin of gastronomy, the domestication of animals, the cultivation of land and pleasure, through the feminine gaze. Based on this exploration, sometimes fun and other times painful, The Book of Eve takes a tour through the stories they’ve told us and which have helped to fos

ter (and cement) the absurd idea that woman is the companion, complement, and even accessory to man, which opens the door to criminal violence against women. Boullosa refutes and breaks them in this feminist novel, foundational and brazen. Carmen Boullosa is one of Mexico’s leading novelists, poet

s, and playwrights. She has published over a dozen novels, three of which have been published by Deep Vellum in English translation. Boullosa has received numerous prizes and honors, including a Guggenheim fellowship. Also a poet, playwright, essayist, and cultural critic, Boullosa is a Distinguishe

d Lecturer at City College of New York, and her books have been translated into Italian, Dutch, German, French, Portuguese, Chinese, and Russian. Other novels translated into English include Before (tr. Peter Bush, Deep Vellum, 2016), Heavens On Earth (tr. Shelby Vincent, Deep Vellum, 2017) and The

Book of Anna (tr. Samantha Schnee, Coffee House Press, 2020). Samantha Schnee is the founding editor of Words Without Borders. Her translation of Boullosa’s Texas: The Great Theft was shortlisted for the PEN America Translation Prize. She lives in Houston, Texas.

影響阿里山林業鐵路樹木風險逆境因子之研究

為了解決Land animals的問題，作者王嘉琪 這樣論述：

樹木生長過程中基於樹種基因特性及物理環境的限制下發展不同生物力學特徵，然而持續變動或干擾的環境增加樹木逆境(stress)，驅使發生適應反應。逆境引發的易感染性(predisposition)使損傷持續累積，降低對環境的承載能力、增加風險。本研究以阿里山林業鐵路周邊樹木為研究對象，利用目視評估法(visual tree assessment, VTA)、非破壞檢測(nondestructive evaluation)檢查樹木外觀形態承載力，進行樹木風險等級分流，並建立羅吉斯迴歸模型(logistic regression model)及勝算比(Odds Ratios)分析風險因子包含樹木本身

(樹種、胸高直徑、樹木活力、樹木狀況CTLA)、環境(養護工程、邊坡地形、生育地環境)，探討造成樹木風險原因。2019-2020年間調查2779株樹木資料建立之羅吉斯迴歸模型經交叉驗證(Cross-validation)顯示模型預測正確率為96.6%，驗證生育地環境因子與造成樹木風險的原因相關，其中環境為驅動樹木適應反應，造成風險的原因。