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Beethoven’’s Conversation Books: Volume 4: Nos. 32 to 43 (May 1823 to September 1823)

為了解決Topography的問題，作者 這樣論述：

Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer had begun carrying blank booklets with him, for his acquaintances to jo

t their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer’s death in

1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these docu

ments. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition. These important booklets are here translated into English in their entirety for

the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand new introductions, which together place many of the quickly changing conversational topics into context. Due to the editor’s

many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disc

iplines. At the same time, these often lively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.

Topography進入發燒排行的影片

以時間卷積網路結合特徵工程分析牙科手機轉子筒夾之健康狀態

為了解決Topography的問題，作者陳柏辰 這樣論述：

隨著科技進步與工業技術的大躍進，高科技與工業技術涵蓋之機械精密度與系統的完整性日益漸增。為滿足設備元件於操作的可靠性與顧及工作人員的安全，需要對元件進行完整的監控，以提升安全性與降低維護成本。本研究將建立牙科手機的健康狀態診斷模型，以加速規擷取振動訊號，透過特徵工程的方式，取得三軸振動訊號中重要的特徵，以建立診斷系統的數據集，再透過深度學習中具有空洞因果卷積與殘差連接的時間卷積網路(Temporal Convolution Network)作為診斷分類模型之核心。研究顯示TCN於切削前三軸空轉訊號的訓練準確率為74.51%、95.99%、88.88%，較LSTM (68.97%、86.29%

、68.08%)與1DCNN(73.47%、92.03%、81.72%)表現優異，若以切削後X軸空轉訊號準確率上，以1DCNN的80.09%較佳，其餘仍以TCN在Y與Z軸的結果90.01%、90.82%最佳。測試準確率的部分，TCN於切削前三軸空轉訊號的準確率為70.78%、94.83%、87.94%，優於LSTM (69.00%、86.11%、68.28%)與1DCNN(70.44%、91.50%、79.28%)，若以切削後X軸空轉訊號準確率上，以1DCNN的77.61%較佳，其餘仍以TCN在Y與Z軸的結果89.00%、85.28%最佳。本研究以建立人工智慧的學習方式，即時偵測與診斷牙科手機

當前之使用狀態，可避免牙醫師使用異常的牙科器械，進而造成病患的不適與添上心理陰影。

The Night Lake: A Young Priest Maps the Topography of Grief

為了解決Topography的問題，作者Tichenor, Liz 這樣論述：

Called such a sad, tough story, but finally so life-affirming, filled with spirit and love by Anne Lamott, this is a raw and intensely affecting memoir by a young priest about loss of a child, its grief and its aftermath, and the hard-won joy that can follow.Liz Tichenor has taken her newborn son

, five weeks old, to the doctor, from a cabin on the shores of Lake Tahoe. She is sent home to her husband and two-year-old daughter with the baby, who is pronounced fine by an urgent care physician. Six hours later, the baby dies in their bed. Less than a year and a half before, Tichenor’s mother j

umped from a building and killed herself after a long struggle with alcoholism. As a very young Episcopal priest, Tichenor has to preach the Good News, to find faith where there is no hope, but she realizes these terrible parts of her own life will join her in the pulpit. The Night Lake is the story

of finding a way forward through tragedies that seem like they might be beyond surviving and of carving out space for the slow labor of learning to live again, in grief.

含矽丙烯酸水性船舶防汙漆和可調節式侵蝕探討

為了解決Topography的問題，作者李旻燁 這樣論述：

目前應用於海運之傳統溶劑型船舶塗料不但會有溶劑汙染問題也因海洋生物及藻類附著於船體，使得船舶阻力上升並增加油耗量；因此文獻上發展出自拋光、結構釋放、酶基及表面微型工程等四類船舶塗料期望解決傳統船舶塗料所造成之問題。本研究擬結合具水解特性的丙烯酯類、矽氧烷樹脂及功能性粉末，研發具有自拋光、結構釋放和生物活性的環保水性船舶塗料。實驗設計以反應型乳化劑和甲基丙烯酸甲酯Methyl methacrylate (MMA)、甲基丙烯酸丁酯 Butyl methacrylate (BMA)、丙烯酸-2-乙基己酯 2-Ethylhexyl Acrylate (2-EHA)以及支(R)/直鏈(S)的矽氧烷單體

進行逐步添加之聚合反應，之後再加入氧化鋅、碳酸鈣、滑石粉、二氧化鈦、二氧化矽、蒙托土、氧化亞銅、DCOIT殺菌劑及分散劑等添加物，最後用鋯珠和機械攪拌分散，再噴塗塗佈厚度約為180微米塗膜進行硬度、百格試驗、水滴接觸角、粗糙度及侵蝕速率等分析。實驗結果顯示當使用R2矽氧烷時，塗膜鉛筆硬度可以達到9H，百格試驗達0~1級，水滴接觸角達132∘以及剝落速率24.5 µm/month。