ice-t train的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦Thomson, Graeme寫的 I Shot a Man in Reno: A History of Death by Murder, Suicide, Fire, Flood, Drugs, Disease, and General Misadventure, As Related i 可以從中找到所需的評價。
I Shot a Man in Reno: A History of Death by Murder, Suicide, Fire, Flood, Drugs, Disease, and General Misadventure, As Related i
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為了解決ice-t train 的問題,作者Thomson, Graeme 這樣論述:
Ask the gangsta rap devotee. Ask the grizzled blues fanatic and the bearded folk fan. Ask the goth and the indie kid. Ask and they will all tell you the same thing: death and popular music have forever danced hand-in-hand in funereal waltz time. The pop charts and the majority of radio stations' pla
ylists may conspire to convince anyone listening that the world spins on its axis to the tune of "I love you, you love me" and traditional matters of the heart. The rest of us know that we live in a world where red roses will one day become lilies and that death is the motor that drives the greatest
and most exhilarating music of all. "Death music" is not merely a byword for bookish solemnity, or the glorification of murder, drugs and guns. Over the course of the last hundred years it has also been about teenage girls weeping over their high school boyfriend's fatal car wreck; natural disaster
s sweeping whole communities away; the ever-evolving threat of disease; changing attitudes to old age; exhortations to suicide; the perfect playlist for a funeral; and the thorny question of what happens after the fat lady ceases to sing. Which means that for every "Black Angel's Death Song" there i
s a "Candle in the Wind," and for every "Cop Killer" there is "The Living Years." Death, like music, is a unifying force. There is something for every taste and inclination, from murderous vengeance to camp sentimentality and everything in between. Drawing upon original and unique interviews with ar
tists such as Mick Jagger, Richard Thompson, Ice-T, Will Oldham and Neil Finn among many others, I Shot a Man In Reno explores how popular music deals with death, and how it documents the changing reality of what death means as one grows older. It's as transfixing as a train wreck, and you won't be
able to put it down. as an epilogue, I Shot A Man In Reno presents the reader with the 40 greatest death songs of all time, complete with a brief rationale for each, acting as a primer for the morbidly curious listener. Graeme Thomson is a regular contributor to "The Word, "the" Observer, Time Out
, "the" Herald "and the "Sunday Herald. "He is the author of "Complicated Shadows: The Life and Music of Elvis Costello "(Canongate, 2004) and "Willie Nelson: The Outlaw" (Virgin Books, 2006). He lives in Edinburgh.