來一趟說走就走的旅行論文書籍站
Renowned synonym的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列地圖、推薦、景點和餐廳等資訊懶人包
Renowned synonym的問題，我們搜遍了碩博士論文和台灣出版的書籍，推薦Erlmann, Veit寫的 Reason and Resonance: A History of Modern Aurality 和Erlmann, Veit的 Reason and Resonance: A History of Modern Aurality都 可以從中找到所需的評價。
另外網站List of 50 Common Synonyms to Improve Your IELTS Score ...也說明：50 common synonyms for IELTS writing task and essential vocabulary words for IELTS ... Famous, Well-known, Renowned, Eminent, Illustrious.
這兩本書分別來自 和所出版 。
最後網站Well-known synonym則補充：Crossword Clue. For the word puzzle clue of the use of a well known cultural icon to suggest an idea, the Sporcle Puzzle Library found the following results ...
Reason and Resonance: A History of Modern Aurality
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為了解決Renowned synonym 的問題，作者Erlmann, Veit 這樣論述：
How the ear came to play a central role in modern culture and rationality. Hearing has traditionally been regarded as the second sense--as somehow less rational and less modern than the first sense, sight. Reason and Resonance explodes this myth by reconstructing the process through which the ear ca
me to play a central role in modern culture and rationality. For the past four hundred years, hearing has been understood as involving the sympathetic resonance between the vibrating air and various parts of the inner ear. But the emergence of resonance as the centerpiece of modern aurality also coi
ncides with the triumph of a new type of epistemology in which the absence of resonance is the very condition of thought. Our mind's relationship to the world is said to rest on distance or, as the very synonym for reason suggests, reflection. Reason and Resonance traces the genealogy of this "intim
ate animosity" between reason and resonance through a series of interrelated case studies involving a varied cast of otologists, philosophers, physiologists, pamphleteers, and music theorists. Among them are the seventeenth-century architect-zoologist Claude Perrault, who refuted Cartesianism in a b
ook on sound and hearing; the Sturm und Drang poet Wilhelm Heinse and his friend the anatomist Samuel S mmerring, who believed the ventricular fluid to be the interface between the soul and the auditory nerve; the renowned physiologist Johannes M ller, who invented the concept of "sense energies"; a
nd M ller's most important student, Hermann von Helmholtz, author of the magisterial Sensations of Tone. Erlman also discusses key twentieth-century thinkers of aurality, including Ernst Mach; the communications engineer and proponent of the first nonresonant wave theory of hearing, Georg von B k sy
; political activist and philosopher G nther Anders; and Martin Heidegger. Veit Erlmann holds the Endowed Chair of Music History at the University of Texas at Austin’s Butler School of Music.
Reason and Resonance: A History of Modern Aurality
為了解決Renowned synonym 的問題，作者Erlmann, Veit 這樣論述：
How the ear came to play a central role in modern culture and rationality. Hearing has traditionally been regarded as the second sense--as somehow less rational and less modern than the first sense, sight. Reason and Resonance explodes this myth by reconstructing the process through which the ear
came to play a central role in modern culture and rationality. For the past four hundred years, hearing has been understood as involving the sympathetic resonance between the vibrating air and various parts of the inner ear. But the emergence of resonance as the centerpiece of modern aurality also
coincides with the triumph of a new type of epistemology in which the absence of resonance is the very condition of thought. Our mind's relationship to the world is said to rest on distance or, as the very synonym for reason suggests, reflection. Reason and Resonance traces the genealogy of this "in
timate animosity" between reason and resonance through a series of interrelated case studies involving a varied cast of otologists, philosophers, physiologists, pamphleteers, and music theorists. Among them are the seventeenth-century architect-zoologist Claude Perrault, who refuted Cartesianism in
a book on sound and hearing; the Sturm und Drang poet Wilhelm Heinse and his friend the anatomist Samuel S mmerring, who believed the ventricular fluid to be the interface between the soul and the auditory nerve; the renowned physiologist Johannes M ller, who invented the concept of "sense energies"
; and M ller's most important student, Hermann von Helmholtz, author of the magisterial Sensations of Tone. Erlman also discusses key twentieth-century thinkers of aurality, including Ernst Mach; the communications engineer and proponent of the first nonresonant wave theory of hearing, Georg von B k
sy; political activist and philosopher G nther Anders; and Martin Heidegger.